As the party searches for Sephiroth, you will explore the beautiful, expansive regions of the world and open up new areas to discover. Dig deeper into the world of FINAL FANTASY VII with rewarding side content and mini-games, plus various unique forms of transportation to navigate the world.

Approx. 48cm / 19inch statue depicting the iconic antagonist Sephiroth in highly detailed sculpting. The wing can be detached.

After escaping from the dystopian city of Midgar, Cloud and his friends set out on a journey across the planet. New adventures await in a vibrant and vast world – sprint across grassy plains on a Chocobo and explore expansive environments.

While this was not a new technique, the increased power of the PlayStation enabled a more elaborate version of this effect.[45] The biggest issue with the 3D graphics was the large memory storage gap between the development hardware and the console: while the early 3D tech demo had been developed on a machine with over 400 megabytes of Completa memory, the PlayStation only had two megabytes of system memory and 500 kilobytes for texture memory. The team needed to figure out how to shrink the amount of data while preserving the desired effects. This was aided with reluctant help from Sony, who had hoped to keep Square's direct involvement limited to a standard API package, but they eventually relented and allowed the team direct access to the hardware specifications.[37]

Some months prior to the game's North American release, Sony publicly stated that it was considering cutting the scene at the Honey Bee Inn due to the salacious content, prompting numerous on-line petitions and letters of protest from RPG fans.

Consequently, programmers faced problems such as having to unify the original PlayStation version's five different game engines, leading to delays.[37] The PC version came with a license for Yamaha Corporation's software synthesizer S-YXG70, allowing high-quality sequenced music despite varying sound hardware setups on different user computers. The conversion of the nearly cem original musical pieces to XG format files was done by Yamaha.[94]

The first title in a multi-part series, it is based on the story from the original game, up to the escape from Midgar, adding in new elements.

Sinergia entre Cloud e Sephiroth gera um ataque combinado devastador Além dessas té especialmentecnicas especiais, é possível utilizar habilidades mais simples com os membros da sua party isento gastar BTA ou a barra DE Habilidades do Sinergia.

Trailers and the game's developers have implied that Rebirth will still loosely follow the original's footsteps, even if the order in which they occur is different. After their departure from Midgar, the gang will seemingly make their way to the small town of Kalm, where Cloud explains his and Sephiroth's former friendship and what exactly happened in Nibelheim all those years ago.

Cloud had never made it into SOLDIER and had become a lowly Shinra infantryman instead. Embarrassed by his failure, he had not told anyone from his hometown. When he had been assigned a mission in Nibelheim to accompany the SOLDIER members Zack and Sephiroth, Cloud had concealed his identity by always wearing his helmet, and this is why Tifa had not realized Cloud was there at the time. After Sephiroth had learned Shinra had created him from Jenova, he had gone insane and torched the town.

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Cloud, an elite SOLDIER operative-turned-mercenary takes part in an Avalanche operation to destroy Mako Reactor 1 in the city of Midgar. The bombing plunges the city into fiery chaos, and Cloud is tormented by visions final fantasy 7 rebirth of a bitter enemy long thought dead.

Shinra had caught up with the pair on a precipice overlooking the Midgar Wasteland and Zack had been gunned down, but the soldiers had ignored the catatonic Cloud and left him for dead. Cloud had crawled over to Zack's body and taken his Buster Sword, then made his way to Midgar alone where he had wandered aimlessly before being discovered by Tifa at the Sector 7 slums train station.

The musical score of Final Fantasy VII was composed, arranged, and produced by Nobuo Uematsu, who had served as the sole composer for the six previous Final Fantasy games. Originally, Uematsu had planned to use CD quality music with vocal performances to take advantage of the console's audio capabilities but found that it resulted in the game having much longer loading times for each area. Uematsu then decided that the higher-quality audio was not worth the trade-off with performance, and opted instead to use MIDI-like sounds produced by the console's internal sound sequencer, similar to how his soundtracks for the previous games in the series on the Super NES were implemented.[68][69] While the Super NES only had eight sound channels to work with, the PlayStation had twenty-four.